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品牌vi规范_北京专卖店设计公司分享品牌vi规范、品牌vi设计理念

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注:本文“品牌vi规范”配图为本公司设计作品


品牌vi规范创作理念:

As is still unfortunately the case today, in the 1980s Himid saw the art world as under-representing her black peers, and organised exhibitions of their work. Her own images, too, seek to examine and challenge the way black figures have been depicted throughout art history.

This month a trio of exhibitions will showcase Himid's work, each presenting different facets of her practice. Invisible Strategies at Modern Art Oxford (21 January – 30 April 2017) is the most comprehensive of the three, boasting the artist's first major survey exhibition and drawing together paintings, sculptures, ceramics and works on paper from the 1980s to today that showcase what the gallery terms "Himid’s consistently thought-provoking and distinctive visual style."

Running alongside this show is Navigation Charts at Spike Island, Bristol (20 January – 26 March 2017), and The Place is Here at Nottingham Contemporary (4 February – 30 April 2017), which presents around 100 works by 30 black artists and collectives from the 1980s.

Alongside creating her own work, Himid is also a renowned curator, archivist and writer, and Professor of Contemporary Art at the University of Central Lancashire. It's a treat to have so many galleries around the UK celebrating her work and her impact.

Lubaina Himid, Naming the Money (2004), Navigation Charts, Spike Island

Lubaina Himid, Naming the Money (2004), Navigation Charts, Spike Island

Lubaina Himid, Naming the Money (2004), Navigation Charts, Spike Island

Lubaina Himid, Naming the Money (2004), Navigation Charts, Spike Island

Lubaina Himid, Naming the Money (2004), Navigation Charts, Spike Island

Lubaina Himid, Naming the Money (2004), Navigation Charts, Spike Island

Lubaina Himid, A Fashionable Marriage, 1986. Courtesy the artist and Hollybush Gardens, Photo M. Birchall & Teo Lashley Burnley, shown at Nottingham Contemporary

Lubaina Himid: Invisible Strategies at Modern Art Oxford


注:本文“品牌vi规范”配图为本公司设计作品


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